24×7 TECH SHOWCASE STREAMING SOLUTIONS

Launch your own 24×7tech showcase TV channelwith automated cloud playout.

Broadcast your content around the clock on your own website and apps, without running a PC all day. The always-on channel is the TV Startup add-on.

Secure Checkout
Instant Cloud Playout
Trusted by 50+ Streaming Companies
7 min
To your platform
99.5%
Uptime SLA
12
Screens to reach viewers
50+
Streaming companies on Flicknexs

Stop thinking, launch your tech showcase TV channel

We've removed all the guesswork. Here is exactly why 50+ streaming companies run on Flicknexs.

Turn your content into a 24/7 live channel

  • Upload your videos, past streams & media assets
  • Schedule them into a peaceful 24×7 broadcast without gap
  • Plays around the clock on your own website and apps
  • Connect with global audiences round the clock without interruption
Simple & Powerful

No hidden complexity.
Everything you need.

You don’t need developers or hardware servers. Cloud playout (the TV Startup add-on), CDN delivery, the player and your apps, by plan, all come from one provider.

Your library, always on

Put your whole library to work, around the clock.

Your recordings play on a schedule you set, day and night, on your own website and apps. The always-on channel is the TV Startup add-on on any plan.

Earn on your terms

Subscriptions, pay-per-view or free with sign-in. You set the price.

Your brand on air

Your logo on the player and your name on your website and apps.

Stay on air without staff on shift

Build the schedule once and the channel keeps playing it, whenever your viewers tune in.

Don't let your video library gather dust. Put it on air.

Why Automation Wins

The smart way to go live

Manual Live Streaming

  • ✕Requires powerful PC running 24/7 and physical setup
  • ✕Can't use your computer while streaming
  • ✕Local internet dropouts kill the stream for all viewers
  • ✕High electricity, server bills & hardware depreciation

Expensive, Stressful & Unreliable

Smart Choice

Cloud Playout Automation

  • Runs 100% in the cloud (Turn off your PC anytime)
  • Professional Drag & Drop EPG Scheduler
  • Streams to Multiple Platforms simultaneously
  • Low predictable cost, 99.5% carrier reliability

Get your stream live in 3 simple steps

No technical expertise needed. Our intuitive interface makes launching your 24/7 channel effortless.

1

Upload Creative Content

Upload your pre-recorded videos, past streams, and media assets from your computer or connect cloud storage directly.

2

Curate Bingeable Playlists

Create playlists, build continuous EPG schedules, and organize your content library with our powerful drag-and-drop dashboard.

3

Entertain Global Fans

Your channel plays on your own website and apps. Set the schedule once and it keeps broadcasting.

Built For Your Industry

Complete Tech Showcase platform

Everything you need to broadcast, engage, and grow your audience professionally.

4K Cinematic Streaming

Deliver stunning visual quality for your films, series, and creative content with Ultra HD playback.

Binge-Worthy Playlists

Organize everything into series and seasons, with continue watching and watch later for every viewer.

Creator Subscription Tiers

Offer exclusive VIP content, behind-the-scenes footage, and early access through paid memberships.

Interactive Fan Engagement

Connect directly with your audience through live chat, real-time polls, and interactive fan Q&As.

Global Content Delivery

Ensure buffer-free streaming worldwide using our advanced multi-CDN delivery network.

Multi-Device Experience

Allow fans to watch your creative content flawlessly on Web, Mobile apps, and living room Smart TVs.

Why choose our Tech Showcase platform?

Manage your content, reach viewers in other countries and choose how you earn, without technical barriers.

Start Your Channel Free

Stunning 4K Ultra HD playback for cinematic experiences

Series, seasons, continue watching and watch later

Flexible AVOD, SVOD, and TVOD monetization models

Cast to the TV with Chromecast and AirPlay

Basic DRM on every plan

AAC audio, with subtitles in many languages

Interactive fan engagement and creator VIP tiers

Technical onboarding support from our media team

Transparent Pricing

Choose your perfect plan

Launch and manage your video streaming business with flexible pricing

AnnualSave up to 16%Monthly

F1 Standard

Perfect for startups and small businesses

Shared resources.

$349/month
  • 20 TB Bandwidth per year
  • 300 GB Storage
  • Video APIs
  • Content Delivery Network
  • Pre, Mid & Post Roll Ads
  • upto 50 channels*. via m3u8
  • DVR
  • Monetization Options
  • Website Only
  • Mobile Apps
  • TV Apps

F2 Super

Most popular for growing businesses

Shared resources.

$599/month
  • 20 TB Bandwidth per year
  • 300 GB Storage
  • Video APIs
  • Content Delivery Network
  • Pre, Mid & Post Roll Ads
  • upto 50 channels*. via m3u8
  • DVR
  • Monetization Options
  • Mobile Apps (Android, iOS)
  • TV Apps
  • Priority Support
Most Popular

F3 Premium

For established streaming platforms

$1,019/month
  • 10 TB Bandwidth per month
  • 1 TB Storage
  • Video APIs
  • Content Delivery Network
  • Pre, Mid & Post Roll Ads
  • upto 100 channels*. via m3u8
  • 5 Youtube Channels Streaming
  • upto 5 RTMP Channels using Flicknexs RTMP
  • DVR
  • Monetization Options
  • Mobile Apps (Android, iOS)
  • Android TV & Fire TV
Best Value

F4 Enterprise

Enterprise-grade streaming solution

$1,149/month
  • 20 TB Bandwidth per month
  • 2 TB Storage
  • Video APIs
  • Content Delivery Network
  • Pre, Mid & Post Roll Ads
  • upto 100 channels*. via m3u8
  • 5 Youtube Channels Streaming
  • upto 5 RTMP Channels using Flicknexs RTMP
  • DVR
  • All Monetization Options
  • Mobile Apps (Android, iOS)
  • Android TV & Fire TV
  • Dedicated Support
Additional TV Apps: Samsung TV, LG TV, Roku TV, Apple TV Apps available at$200/month/app

* TV Startup Add-on -

* - depends on existing storage and existing load on your infrastructure.

Live streaming, donations, radio and other add-ons can be added from your dashboard whenever you need them.

Enterprise-grade technical specs

Professional broadcasting capabilities designed for continuous operation

Video Quality

  • Up to 4K resolution
  • H.264 Encoding
  • Adaptive Bitrate Streaming

Audio & Subtitles

  • AAC Audio Codec
  • Subtitles in many languages

Platform Support

  • Your own website and apps
  • RTMP live input (F3 and F4)
  • HLS output

Content Mgmt

  • Playlist Scheduling
  • Drag-and-drop schedule builder
  • Loops and time-of-day slots

Your apps on the web, phones and TVs.

Start Your Channel Free→
WebEvery plan
AndroidF2 and up
Apple (iOS)F2 and up
Android TVF3 and up
Fire TVF3 and up
Apple TVAdd-on
Tizen (Samsung)Add-on
webOS (LG)Add-on
RokuAdd-on
ChromecastCasting
AirPlayCasting
Phone apps come with F2 and up, Android TV and Fire TV apps with F3 and up. Apple TV, Samsung, LG and Roku apps are add-ons on any plan. Viewers can cast to the TV with Chromecast or AirPlay.
FAQ

Frequently Asked Questions

Everything you need to know about our OTT platform and services.

Upload your videos, schedule them using the intuitive dashboard, and start streaming. No technical expertise is required.
No, you don't need technical expertise. The platform is designed with an intuitive interface, making it easy for anyone to use.
If your plan is nearing the expiry date or has expired, you will see a notification at the top of the page, where you can either renew the same plan or upgrade to a higher one.
Runs in the cloud, no hardware

Ready to launch your tech showcase TV channel?

Join 50+ streaming companies on Flicknexs. Your own brand, your own apps, and setup help from our team.

Who is watching

The situations this channel is actually watched in

Real viewing environments dictate episode length, audio clarity, subtitle tracks, and download availability.

01

The evaluator with the spec sheet open beside the video

An engineer or technical buyer watching on a laptop at their desk, datasheet open in the next window, looking for the one thing the PDF does not answer — how the thing actually behaves when you hold it, plug it in, or push it past its rating. They do not start at the beginning. They go straight for the episode and the moment inside it, which means the title, the episode number and the metadata do more work here than the thumbnail ever does.

02

The maintenance technician on the plant floor at 2am

No signal in the machine hall, gloves on, phone wedged against a rail. Whatever they need had to be downloaded before the shift started, and it has to sit in a category named for the machine and carry the part or procedure in the title, not a clever line. Offline downloads are not a convenience feature on this kind of channel — they are the only reason the video gets watched at the moment it is needed.

03

Standing at a trade-show stand with no audio

Hall noise kills sound, nobody puts on headphones, and the viewer takes it in while walking past, without stopping. Booth and showroom screens run a looped linear channel with subtitles carrying the whole message, and the same content has to still make sense muted, mid-segment, with no context and no beginning.

04

A procurement committee casting to the meeting-room TV

A group round one screen at the far end of a meeting room, some of them non-technical, stopping the video to argue about a line in the quote. Shooting for this room means type sized to be read from the far end of the table and cuts slow enough to follow a wiring diagram — and that is a different cut from the one that works on a phone, where the same spec table stops being legible at all and has to be carried by zooms and callouts instead. The TV apps matter because this is the room where the decision gets made.

05

The pre-launch reviewer or analyst under embargo

Watching a cut that does not exist publicly yet, usually late, usually from a hotel or a home office, on a link that should stop working when the embargo lifts. Signed playback URLs, per-title access rules and a visible player watermark are what let you hand this out at all — the watermark marks the cut as a preview so a stray frame is obviously not a public asset, though a standard burned-in mark says which cut leaked, not which reviewer leaked it. What actually contains the damage is that the link is revocable and access is granted per title rather than to the whole library.

06

The field sales engineer in a car park before a meeting

A short gap between parking and reception, mobile data, a mid-range Android phone, trying to re-check how a feature is demonstrated before walking in and demonstrating it themselves. They want the segment where that one feature is shown, cut out of the session it came from and labelled with the feature's name, because scrolling a wall of unlabelled conference footage in a car park is where the prep gets abandoned.

07

The hobbyist or developer at home, late, following along

Second monitor, terminal open, pausing on a config screen and typing what is on it. This audience shows up at night and at weekends, which is a different clock from the working-hours buyer running through the same library — and the same technical library has to serve both without either group feeling talked down to.

08

A partner or distributor's staff in a training room abroad

Same product, different language, watched by a group in a partner's own training room. Narration, on-screen interface, error messages and menu labels all stay in the language the session was recorded in, so subtitles and a consistent glossary of terms are carrying the entire comprehension load — and a distributor team that knows the product well is the first to notice when the same component is rendered two different ways across two videos.

The calendar

The rhythm this subject runs on

Channels earn loyal followings when their broadcast calendar mirrors the natural seasons, shifts, and peak moments of their industry.

01

Embargo hour on launch day

Everything is uploaded in advance and held behind per-title access rules, then opened against one clock, in a stated timezone. The publishing job on launch day is not making content — it is holding a queue of finished videos behind those rules and then flipping them, then reading back that they actually went live rather than assuming they did.

02

The trade-show circuit

The exhibition calendar is spread across the year rather than bunched into one season — CES in January, MWC and Embedded World in late February and March, Hannover Messe and NAB in April, Computex in May or June, IFA in September, electronica in November — and most vendors only exhibit at the two or three that matter to their line. What bunches is your own shooting: the stand demos, booth interviews and hands-on footage all get captured in those few exhibition weeks and then have to be rationed out across the months when nothing is being exhibited.

03

The keynote and its long tail

One live event, then a flood. The keynote streams live and goes to VOD immediately; the breakout and technical sessions land over the following days and weeks, and the library grows by a whole year-labelled track at once. Whether those sessions keep being opened long after the applause is something the watch-time view in analytics will tell you about your own library — not something to assume when you decide how much of the session archive is worth editing properly.

04

The firmware and release cadence

Every software drop quietly ages part of the catalogue. A walkthrough recorded against the previous build now shows menus that no longer exist, and viewers notice immediately. The channel runs on a rolling cycle of re-recording, re-labelling with version and date in the metadata, and retiring what is now misleading.

05

The workhorse show between launches

A weekly or fortnightly hands-on, teardown or benchmark episode exists mainly so the channel is not dead during the long stretches between announcements. It is unglamorous, it is what keeps people subscribed, and it is the first thing that slips when the launch crunch starts.

06

The weeks after the product actually ships

Setup, first-boot, migration and troubleshooting videos get opened in this window by people who have already bought the thing and have it in pieces on a bench — an audience the launch film never has to deal with. The rhythm is reactive: the install step support is fielding calls about on Monday should be a recorded walkthrough by Thursday, and it does more for the product than another glossy overview.

07

Budget season and the evaluation window

Comparison, procurement-justification and total-cost-of-ownership content gets pulled when buying cycles open and again just before budgets expire. These are the videos that go quiet while an evaluation is dormant and then get opened by someone building an internal case — the watch-time and revenue-by-tier views are where that pattern shows up in your own catalogue, rather than in an assumption about how buyers behave.

What you publish

The formats that carry this channel

A balanced program line-up: from structured courses and real-time sessions to round-the-clock automated playout.

01

Launch event, live then permanent

The announcement or keynote goes out as a scheduled live event and becomes the anchor VOD asset the same hour. Because the vendor's own stream is competing with every re-upload, the value is in what comes after: the recording split into episodes in a proper catalogue, with correct metadata and subtitles, rather than a link that rots.

02

Hands-on, teardown and long-run test series

Serialised episodes with real numbering, so a viewer can follow a product family across generations. Series and episode structure is what keeps a third-generation teardown attached to the two before it instead of floating loose; metadata carries the model, revision and test date so nobody mistakes an old run for a current one.

03

The conference session archive

A back catalogue of long-form technical talks from past events, brought in through bulk import rather than typed in one at a time. They live or die on categorisation — by track, year, product line and level — because an archive built up over years of events is only usable if the category structure leads someone to the right talk without them already knowing it exists.

04

Setup, install and troubleshooting how-tos

Short, procedural, boring in the best way, and the content most likely to be taken offline before someone needs it. Built for offline viewing on phones, subtitled in every language the product ships into, and titled with the part, error or procedure name rather than the marketing name of the feature.

05

A 24x7 channel for booths, lobbies and showrooms

Cloud playout running a scheduled linear loop onto stand screens, reception displays and demo rooms, with a program guide so staff know what is on at any moment. It solves a physical problem — a screen that must never be blank and must never restart visibly in front of a visitor.

06

Pre-release and partner-only cuts

Review units, NDA previews and channel-partner enablement material that must exist on the same platform but never appear publicly. Per-title access rules and signed playback URLs so a preview link can be withdrawn the hour the embargo lifts; geo-fencing to keep a cut out of markets where you have not announced yet — which is a release decision of yours, not a substitute for the certification and type-approval obligations that sit with the manufacturer; and a player watermark on preview cuts so a stray frame is visibly a preview.

The honest part

What running this channel actually involves

The clear-eyed production habits, rights considerations, and platform discipline that separate enduring channels from abandoned ones.

01

The library goes stale faster than anyone budgets for

Firmware, interface and packaging changes make good videos wrong without warning, and a viewer who finds a walkthrough of a menu that no longer exists stops trusting the rest of the channel. You need a version-and-date discipline in the metadata from day one and the willingness to pull your own best-performing video when it has become misleading.

02

Much of the footage is not yours to keep forever

Supplied B-roll, press-kit images, music, third-party demo material and anything shot on a customer's premises usually arrives with conditions — editorial use only, a named window, a sign-off that can be withdrawn. The channel ends up keeping a per-asset record of which clip expires when, because the alternative is pulling the launch film long after publication when a customer's legal team revisits the site footage inside it.

03

Your presenters are engineers with day jobs, and the calendar is lumpy

The people who can credibly explain the product are the same people shipping it, and they are least available exactly when the launch content is due. Shoots get cancelled for build issues, and the engineer the audience actually tunes in for will eventually change jobs and take part of the audience with them — a format built entirely around one engineer's face is fragile in a way a teardown series or a setup how-to is not. The announcement calendar compounds it: the deep holiday weeks at the end of the year go quiet almost everywhere, and where the rest of your dead weeks fall depends on the markets you sell into — Diwali, Chinese New Year and Ramadan move them around, and in consumer technology September is one of the heaviest launch months of the year rather than a lull. Planning an even weekly output ignores a calendar that stalls and then collides; banking evergreen how-to and archive material during the show weeks is what covers the empty stretches.

04

Confidentiality is the failure mode, not copyright

Publishing something before its embargo, or a preview cut escaping, causes far more damage than a piracy problem ever will. Signed playback URLs and per-title access rules let you revoke a preview the moment it is no longer meant to work, and a player watermark makes a leaked frame visibly a preview rather than a public asset — but be clear internally about what that buys you: a burned-in watermark identifies the cut, not the recipient, and attributing a leak to one individual needs per-session forensic watermarking, which is a separate and expensive thing to go and buy. Nothing stops a reviewer pointing a phone at a screen either, so who gets a pre-embargo link, and when that link stops working, is a decision someone has to own rather than a setting someone ticks.

05

Translation breaks on the screen, not in the script

Subtitles carry the narration cleanly, but the interface, error messages and labels captured in the recording stay in the language they were recorded in, so a subtitled viewer is reading one language and looking at another — which is an argument for re-recording the screen capture in the target locale on the videos that matter, not for subtitling harder. Technical terms also have to come out the same way every time, and that part is on the channel owner rather than the translator: without a supplied glossary and termbase there is nothing for a translator to be consistent against, and the same component ends up under a different word in each video.

06

Detail and the small screen are in direct conflict

Terminal output, CAD views, oscilloscope traces and spec tables are legible on a TV or a desktop and unreadable on a phone, and this audience uses both. Either you shoot twice, or you shoot for the small screen with zooms and callouts and accept the loss of context. The device breakdown in analytics is the only honest way to settle that argument internally.

Making it pay

Sustainable monetization architecture

A technology showcase channel is usually a cost centre before it is a business, so the monetisation question is less "how do we charge viewers" and more "what does this cost us in the month a launch goes well". Those are two separate things to put to a platform and they fail in unrelated ways: whether it takes a percentage of whatever you do earn, which only starts to matter if training or archive access becomes real revenue, and how the bill behaves when a launch week drives a traffic spike that was never revenue at all — the second is usage-driven, and it is the one that catches people out. A plan you pay the same for every month, with the bandwidth terms written down and understood before you commit a launch calendar to it, is the thing to be checking for. Launch content, hands-on episodes, setup guides and booth loops generally belong outside any paywall, because gating them defeats the reason they exist. Advertising is a poor fit for a vendor-run channel, though not because adjacency is uncontrollable — category blocklists, advertiser-domain exclusions and direct-sold inventory all exist; it is that running that control layer costs more attention than the revenue returns at this scale, and an ad break dropped into a long technical session will simply lose the viewer. Where paid tiers do work is at the edges — a subscription tier for structured training courses and partner enablement, published as series with episodes, and rental or purchase on things with standalone value such as access to a conference archive or a deep workshop recording. Connecting your own payment gateway matters here for revenue routing: finance will want these charges landing in the same account, under the same merchant relationship, as the rest of the product's revenue. It will not solve B2B billing — purchase orders, net-30 terms and procurement portals sit outside card checkout entirely, and the larger training and enablement deals usually end up invoiced rather than bought on a card. The hybrid that tends to settle out is: free and open at the top of the funnel, access-controlled rather than paid for anything pre-release or partner-only, and paid only where the content is genuinely a course rather than a demonstration.

0% Commission on Sales
Your Own Developer Accounts
Instant Cloud Playout