24×7 WEATHER STREAMING SOLUTIONS

Launch your own 24×7weather TV channelwith automated cloud playout.

Broadcast your content around the clock on your own website and apps, without running a PC all day. The always-on channel is the TV Startup add-on.

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Instant Cloud Playout
Trusted by 50+ Streaming Companies
7 min
To your platform
99.5%
Uptime SLA
12
Screens to reach viewers
50+
Streaming companies on Flicknexs

Stop thinking, launch your weather TV channel

We've removed all the guesswork. Here is exactly why 50+ streaming companies run on Flicknexs.

Turn your content into a 24/7 live channel

  • Upload your videos, past streams & media assets
  • Schedule them into a peaceful 24×7 broadcast without gap
  • Plays around the clock on your own website and apps
  • Connect with global audiences round the clock without interruption
Simple & Powerful

No hidden complexity.
Everything you need.

You don’t need developers or hardware servers. Cloud playout (the TV Startup add-on), CDN delivery, the player and your apps, by plan, all come from one provider.

Your library, always on

Put your whole library to work, around the clock.

Your recordings play on a schedule you set, day and night, on your own website and apps. The always-on channel is the TV Startup add-on on any plan.

Earn on your terms

Subscriptions, pay-per-view or free with sign-in. You set the price.

Your brand on air

Your logo on the player and your name on your website and apps.

Stay on air without staff on shift

Build the schedule once and the channel keeps playing it, whenever your viewers tune in.

Don't let your video library gather dust. Put it on air.

Why Automation Wins

The smart way to go live

Manual Live Streaming

  • ✕Requires powerful PC running 24/7 and physical setup
  • ✕Can't use your computer while streaming
  • ✕Local internet dropouts kill the stream for all viewers
  • ✕High electricity, server bills & hardware depreciation

Expensive, Stressful & Unreliable

Smart Choice

Cloud Playout Automation

  • Runs 100% in the cloud (Turn off your PC anytime)
  • Professional Drag & Drop EPG Scheduler
  • Streams to Multiple Platforms simultaneously
  • Low predictable cost, 99.5% carrier reliability

Get your stream live in 3 simple steps

No technical expertise needed. Our intuitive interface makes launching your 24/7 channel effortless.

1

Upload Reports & Updates

Upload your pre-recorded videos, past streams, and media assets from your computer or connect cloud storage directly.

2

Schedule Rolling Broadcasts

Create playlists, build continuous EPG schedules, and organize your content library with our powerful drag-and-drop dashboard.

3

Inform Your Global Audience

Your channel plays on your own website and apps. Set the schedule once and it keeps broadcasting.

Built For Your Industry

Complete Weather platform

Everything you need to broadcast, engage, and grow your audience professionally.

24/7 Rolling Broadcasts

Maintain continuous corporate communication, news updates, or market analysis around the clock.

Live Breaking Coverage

Interrupt scheduled programming instantly to broadcast crucial executive announcements or breaking news.

Corporate Secure Streaming

Keep internal videos private: viewers sign in, and any title can be limited to the countries you choose.

Monetized Premium Insights

Sell access to reports, training or premium shows with subscriptions or pay-per-view.

Global Audience Analytics

Track viewer engagement, geographic distribution, and drop-off rates across all your corporate content.

White-Label Branding

Ensure your enterprise brand is front and center with completely customized, white-label interfaces.

Why choose our Weather platform?

Manage your content, reach viewers in other countries and choose how you earn, without technical barriers.

Start Your Channel Free

99.5% uptime SLA

Sign-in access and per-title country limits

Instant breaking news insertion into live playlists

Live and on-demand video with sign-in access

Advanced viewer behavior tracking and corporate analytics

Completely white-labeled interface and branding

Private titles for signed-in staff

Dedicated support on F4 Enterprise

Transparent Pricing

Choose your perfect plan

Launch and manage your video streaming business with flexible pricing

AnnualSave up to 16%Monthly

F1 Standard

Perfect for startups and small businesses

Shared resources.

$349/month
  • 20 TB Bandwidth per year
  • 300 GB Storage
  • Video APIs
  • Content Delivery Network
  • Pre, Mid & Post Roll Ads
  • upto 50 channels*. via m3u8
  • DVR
  • Monetization Options
  • Website Only
  • Mobile Apps
  • TV Apps

F2 Super

Most popular for growing businesses

Shared resources.

$599/month
  • 20 TB Bandwidth per year
  • 300 GB Storage
  • Video APIs
  • Content Delivery Network
  • Pre, Mid & Post Roll Ads
  • upto 50 channels*. via m3u8
  • DVR
  • Monetization Options
  • Mobile Apps (Android, iOS)
  • TV Apps
  • Priority Support
Most Popular

F3 Premium

For established streaming platforms

$1,019/month
  • 10 TB Bandwidth per month
  • 1 TB Storage
  • Video APIs
  • Content Delivery Network
  • Pre, Mid & Post Roll Ads
  • upto 100 channels*. via m3u8
  • 5 Youtube Channels Streaming
  • upto 5 RTMP Channels using Flicknexs RTMP
  • DVR
  • Monetization Options
  • Mobile Apps (Android, iOS)
  • Android TV & Fire TV
Best Value

F4 Enterprise

Enterprise-grade streaming solution

$1,149/month
  • 20 TB Bandwidth per month
  • 2 TB Storage
  • Video APIs
  • Content Delivery Network
  • Pre, Mid & Post Roll Ads
  • upto 100 channels*. via m3u8
  • 5 Youtube Channels Streaming
  • upto 5 RTMP Channels using Flicknexs RTMP
  • DVR
  • All Monetization Options
  • Mobile Apps (Android, iOS)
  • Android TV & Fire TV
  • Dedicated Support
Additional TV Apps: Samsung TV, LG TV, Roku TV, Apple TV Apps available at$200/month/app

* TV Startup Add-on -

* - depends on existing storage and existing load on your infrastructure.

Live streaming, donations, radio and other add-ons can be added from your dashboard whenever you need them.

Enterprise-grade technical specs

Professional broadcasting capabilities designed for continuous operation

Video Quality

  • Up to 4K resolution
  • H.264 Encoding
  • Adaptive Bitrate Streaming

Audio & Subtitles

  • AAC Audio Codec
  • Subtitles in many languages

Platform Support

  • Your own website and apps
  • RTMP live input (F3 and F4)
  • HLS output

Content Mgmt

  • Playlist Scheduling
  • Drag-and-drop schedule builder
  • Loops and time-of-day slots

Your apps on the web, phones and TVs.

Start Your Channel Free→
WebEvery plan
AndroidF2 and up
Apple (iOS)F2 and up
Android TVF3 and up
Fire TVF3 and up
Apple TVAdd-on
Tizen (Samsung)Add-on
webOS (LG)Add-on
RokuAdd-on
ChromecastCasting
AirPlayCasting
Phone apps come with F2 and up, Android TV and Fire TV apps with F3 and up. Apple TV, Samsung, LG and Roku apps are add-ons on any plan. Viewers can cast to the TV with Chromecast or AirPlay.
FAQ

Frequently Asked Questions

Everything you need to know about our OTT platform and services.

Upload your videos, schedule them using the intuitive dashboard, and start streaming. No technical expertise is required.
No, you don't need technical expertise. The platform is designed with an intuitive interface, making it easy for anyone to use.
If your plan is nearing the expiry date or has expired, you will see a notification at the top of the page, where you can either renew the same plan or upgrade to a higher one.
Runs in the cloud, no hardware

Ready to launch your weather TV channel?

Join 50+ streaming companies on Flicknexs. Your own brand, your own apps, and setup help from our team.

Who is watching

The situations this channel is actually watched in

Real viewing environments dictate episode length, audio clarity, subtitle tracks, and download availability.

01

Before a pre-dawn launch

Fishing crews and small-boat operators check wind, swell and squall lines in the dark hour before they push off, standing on a jetty where the signal drops in and out. They are not watching a programme — they want the sea-state segment now, and they are gone the moment they have it. If the feed stalls before the map comes up, they put the phone away and go and ask the skipper on the next boat instead.

02

On a muted wall screen in an operations room

Port control desks, dispatch offices, site huts and civic emergency rooms leave a linear feed running all day with the sound off, glanced at sideways between calls. Nobody is listening to the presenter, so the lower third, the clock, the region name and the warning colour have to carry the whole message on their own.

03

The 6am school-closure question

Parents wake before the household, check whether roads, buses or schools are affected, and decide the shape of the morning before the rest of the house is up — usually on a phone in the kitchen, sometimes on the TV app in the next room so everyone hears it at once. They arrive somewhere between the first alarm and the school bus, and once the buses are confirmed they are gone until tomorrow.

04

Under warning, on battery, with the power gone

When a storm actually lands, the viewer is on a phone with the charge dropping, on mobile data, in a house with no grid power, possibly sheltering with family. They need the version of the feed that survives a bad signal, and they need to be told where the water is going, not shown a studio discussion about it.

05

A supervisor deciding whether to start work

A foreman deciding whether to pour concrete, a spray operator watching for a wind window, a crane supervisor watching gusts, a road crew watching frost. These viewers want one number and a time range, they watch the same segment every working morning, and they will tell you immediately when the segment moves in the schedule.

06

Watching the weather somewhere they no longer live

People abroad follow conditions in the district their parents still live in — during a cyclone alert, through a heat spell, across a harvest. They watch late at night in their own timezone, on a TV app or laptop, and they want the regional feed and the language spoken at home rather than the national summary.

07

The long-haul night

Truck drivers at a stop, ship's officers on watch, airport ramp and ground staff between turnarounds. They dip into a rolling feed at odd hours on a phone, care about fog, crosswind, ice and visibility rather than the day's high, and are the reason the overnight loop cannot just be a repeat of the evening bulletin.

08

The enthusiast who knows more than the presenter

Amateur observers, storm followers and retired mariners watch the full technical segment end to end, download the archive, and write in before the next block airs when a chart is mislabelled or a warning is paraphrased loosely. They will catch a front drawn on the wrong side of a coast, or a station plot still carrying the previous observation hour, before the port desk does — and their corrections cost you nothing.

The calendar

The rhythm this subject runs on

Channels earn loyal followings when their broadcast calendar mirrors the natural seasons, shifts, and peak moments of their industry.

01

The synoptic clock

Global model runs land at fixed hours, and everything upstream of air is timed against them: guidance arrives, the forecaster writes, graphics render, the presenter records, playout swaps the block. The channel's real production day is set by when new data exists, not by when it would be convenient to record.

02

Top-of-hour refresh

On an ordinary day the linear feed is a rotation that replaces its forecast block on the hour and leaves the surrounding explainer and regional segments in place. A skipper who has worked out that the sea-state segment follows the top of the hour will time his phone check to land on it — which is why moving that segment is a bigger decision than it looks on a schedule grid.

03

Two hard peaks a day

Early morning before people commit to the day, and early evening when they plan tomorrow. These two windows carry presenter-led live bulletins; the rest of the day is carried by playout. Staffing, studio bookings and the forecaster rota all bend around those two windows — and weather does not take Sunday off, so the dawn bulletin needs a presenter on a public holiday exactly as it does on a Tuesday.

04

The Thursday weekend outlook

Late in the working week the question changes from 'what do I wear' to 'can we still do it on Sunday'. Outdoor events, markets, matches, weddings and trips get planned against a longer-range segment that is produced once, travels well on social, and is worth building as a proper weekly show rather than an extended forecast.

05

Named-storm mode

When a system is named or a severe warning is issued, the schedule is abandoned. The channel goes to rolling live coverage that can run for days and nights on end, with continuity handovers, repeated safety and evacuation blocks, and regional cut-ins. Everything else — the explainers, the sponsor segments, the weekly show — is parked until it is over.

06

The aftermath week

After landfall, demand stays high but the subject changes: restoration, road status, relief points, what to do about damaged property. This is a different show, with different contributors, and channels that never planned it end up rerunning forecast graphics to an audience that no longer needs a forecast.

07

The seasonal calendar

Monsoon onset and withdrawal, cyclone season, winter fog and cold waves, heat season, wildfire season, harvest and sowing windows. Each opens with a preparedness series, runs a daily seasonal segment while it lasts, and closes with a review. Between seasons there are long flat stretches where the sky does nothing at all and the linear channel still has to fill every hour of them.

What you publish

The formats that carry this channel

A balanced program line-up: from structured courses and real-time sessions to round-the-clock automated playout.

01

The 24x7 linear channel with a published guide

Cloud playout carries the always-on spine: rotating forecast blocks, regional segments, overnight technical detail, seasonal strands. The program guide is doing real work here — a viewer who wants the marine segment or the agriculture segment needs to know what time it lands and be able to see it in the guide on a TV app.

02

Presenter-led live bulletins, morning and evening

Live streaming at the dawn bulletin and the evening outlook, dropped into the linear schedule so the channel is live at the two moments the audience is deciding something and on playout while the next model run is still coming in. The same stream is what you switch to when a warning breaks, which means the live path has to be proven on a calm Tuesday rather than discovered in a squall.

03

Scheduled live event coverage

Named storms, severe-warning periods, and set-piece announcements such as a seasonal outlook release are run as scheduled live events that appear in the guide ahead of time, so a viewer can find them before they start. Through a multi-day storm those events chain together across shifts, so handover discipline — and something safe sitting on playout to cut back to when a presenter loses the road or the studio loses power — matters more than production polish.

04

An explainer and preparedness VOD library

Series and episodes with proper metadata: how a system forms, how to read a warning level, what to do before and after, sector guides for boats, farms, sites and households. Unlike the forecast, this content holds value for years, is worth subtitling carefully in every language the channel serves, and is the part of the catalogue that should be downloaded to the phone before the network goes down, not after.

05

Regional and language feeds of the same package

One map and graphics package, several feeds built from it: a marine feed, a district feed, a feed in the language of the district it covers, each its own channel in the guide with its own subtitle set and its own per-title access rules. A district bulletin reaches the district it is about because the viewer picks that feed and the guide lists it at a findable hour — not because anything fences them in. Geo-fencing on this platform works at the country level, which is the level rights deals are written at anyway; sub-national targeting everywhere in the industry rests on IP geolocation, which is unreliable at district granularity and useless for a viewer on mobile data routed through a metro gateway. Subtitles are not an accessibility afterthought on this channel — much of this channel is read rather than heard: on the port desk screen, in the site hut, on the kitchen counter while the kettle runs.

06

The archive, categorised by event and date

Past bulletins, past seasons, past storms, bulk imported and filed into categories by event and by date, with the date carried in the title and the metadata rather than only in the presenter's opening sentence. Insurers, researchers, local officials, journalists and the viewers who were there all come back to the same cyclone — and it is the material a channel can rerun with a clear conscience during the flat weeks when the sky is doing nothing.

The honest part

What running this channel actually involves

The clear-eyed production habits, rights considerations, and platform discipline that separate enduring channels from abandoned ones.

01

Your data comes with a licence and a leash

Observations, radar composites, satellite imagery and extended model guidance arrive under terms that differ by source: some require attribution on screen, some forbid redistribution, some forbid onward licensing to your own advertisers, and broadcast-ready graphics are usually a separate contract from the raw data. Airing another broadcaster's radar loop because it looked better is the mistake that ends a supply arrangement.

02

You do not issue warnings — and the wording is not yours to improve

Official warnings belong to the designated agency. Paraphrasing them into friendlier language is how viewers end up acting on the wrong threshold. The working rule most channels settle on is to carry the official text and level as issued, keep presenter interpretation visibly separate from it, and never let a graphic invent a category that the agency did not use.

03

A forecast segment is dead by lunchtime. An explainer is not.

A forecast block has a shelf life measured in hours; an explainer on how to read a warning level holds up across seasons. If both sit in the same rows, a viewer will surface yesterday's outlook and act on it in today's weather. Timestamps in the title and the metadata, and separate categories that keep perishable forecast content away from durable preparedness content, are structural decisions, not housekeeping.

04

Your worst production day is your biggest audience day

The storm that brings your largest audience is also flooding the road your presenter drives, cutting power at the studio, and putting your own staff's families at risk. Channels that survive it have a remote presentation path, a pre-built fallback loop of safety content that can hold air unattended, and a rota agreed before the season rather than during the event.

05

Viewer footage arrives in floods and some of it is recycled

When something happens, contributions pour in — and some of it is footage from a previous storm, from another country, or from a film. Old footage passed off as current is the standard failure mode and it damages credibility precisely when people are making safety decisions about whether to move the car, the cattle or the children. This needs a named human checking provenance during the exact hours everyone is busiest.

06

Language is a safety requirement, not a reach strategy

The people most exposed to weather are often not served in the language the national bulletin is read in, and coastal and farming vocabulary does not translate cleanly — a word for a squall line or a sowing window rarely has a tidy equivalent. Standing up a separate regional feed, or a subtitle set for it, is the mechanical part; finding someone who can render a warning accurately and consistently in that language, at short notice, at three in the morning, is the constraint.

Making it pay

Sustainable monetization architecture

Advertising-supported viewing is the honest base for the public-facing feed: the forecast and the warning coverage should be free to open, because a paywall in front of a cyclone bulletin is both wrong and useless — the viewer simply goes to whichever free source loads on a weak signal, and does not come back when the sky clears. The paying layer sits alongside it rather than inside it, as a subscription tier for people who lose money on a bad weather decision rather than people checking whether to carry an umbrella: extended guidance, longer-range outlooks and sector briefings for crews, growers, sites and operators, plus the ad-free archive of past seasons and past storms. Free-to-open linear and ad-supported VOD for the person sheltering from the weather, subscription around the specialist strands for the person working in it — that split follows the two audiences a weather channel actually has, and they behave nothing alike. The plumbing matters in a particular way when your demand arrives with the weather, and it is worth separating two questions that sound like one. The first is how your revenue is taken: connecting your own payment gateway, and knowing whether the platform commissions a share of what you earn, is the criterion to test before you sign — commission pricing takes its largest cut in exactly the weeks you are doing the most public-interest work, and this channel's demand arrives in bursts nobody can schedule. The second is how delivery is charged, which is metered separately and is where a storm week actually shows up: a twenty-fold viewing burst is twenty-fold egress, and bandwidth allowances carry thresholds that can restrict a tenant once they are crossed. Size that headroom before the season rather than discover it mid-warning, when being throttled is the one failure you cannot explain to an audience making safety decisions. And analytics by tier and by device tell you whether the professional tier is actually being opened and on what: a crew tier opened on phones rather than on the TV app is telling you the sector briefing is being watched on a boat deck or in a truck cab, and should be cut, captioned and graded to be read there.

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